When putting together a puzzle, each piece is part of a predetermined set. There is a picture on the box, and that's what you get. If you have more space and the image of the games, you know you are.
With question is not so simple.
Carefully selected plans, camera movement and all shows end up in the same place, the proverbial puzzle box, ready to be set by the publisher. Was released to the movie, the story was taken up has been (probably custom) not say that! . The editor is as much a storyteller as a writer, and control many aspects of the film, including:
Tempo: change sets the pace of a scene. Quick cuts and cuts that do not conform to enhance the feeling of intensity. The action sequences and crazy chases are known for many quick cuts - they go a long way! But something as simple as a family discussion about the dinner can be an intense war during processing leads us to the table.
Act and react: They say "action responds," and the question is not strikingly different from white, it is important to see a sign, how they talk, but it's almost more important to see how. other characters to react! An experienced editor can mix a movement response time and adjust various recordings, sometimes to create different lines.
In his book "In a wink," Academy Award-winning editor Walter Murch speaks of "the piece of blackboard," before the board small film shot and call the "action". During this twenty-second piece of film was never in the movie, maybe the actor had the right expression on his face. Murch says that all caught on film is fair game for editing.
Continuity: We've all seen Flubs continuity errors, missing things in line, etc. We believe that we are smart enough to realize. Believe it or not, these types of errors found in the bottom of the list of importance to a publisher. When choosing between an amazing performance by an actor or make sure that the lamp in the background does not move, the editor uses the power at all times.
The bottom of the chamber cut: Not every time, is in the film. Perhaps that you took the driving and a half, who liked the director simply do not work. Perhaps the actor is trying to focus, to disturb the feeling of the scene. It is the responsibility of the publisher to be separated from Upper situations, and use the pieces that were given to telling a story in the best way possible.
And ... that's a Wrap!
The question is abstract and virtually unlimited. Choose tempo and shot power is a great responsibility of the narrative. The films are made or broken in the editing room. The next time you see a movie, try to pay attention to the cuts - you will probably find it to be forgotten quickly and they find themselves back in history. Big problem affects us on a subconscious level and disappears in the film.
This is the last blog of the Summer Film School Hulu. We hope that you have seen and learned something you did not know before the films in a different way!
Visit was to see Hulu on full versions of our choice and explore the lessons of the past to film school.
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